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  • 8,8 / 10
  • Little Women is a movie starring Saoirse Ronan, Emma Watson, and Florence Pugh. Jo March reflects back and forth on her life, telling the beloved story of the March sisters - four young women each determined to live life on their
  • directors - Greta Gerwig
  • USA
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Ya bi şey söylicem, bu tarz eskiyi anlatan yeni filmler bi benim mi çok hoşuma gidiyo. Yani o zamanki tarza baksanıza. O elbiseler, saç şekilleri, bahçeler, ormanlar. O zamanki kültür ve tarzı çok güzel betimliyorlar bence. Bu filmi de kessinlikle izleyeceğim. Bi kere zaten oyuncu kadrosu çok çok güzel. Bide senaryo konu zaten kitaptan alındı, ay yani kısacası çok heycanlandım. Little women.

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I saw Little Women tonight courtesy of a preview at my local theater. It was cleverly written by Greta Gerwig especially her use of flashbacks to tell the traditional story interspersed with a later one instead of a strictly linear retelling. The entire cast was outstanding with Saoirse Ronan leading the way. Definitely worth paying for.

The summary of novel little women in 100 words. No one beats another: Little Women - 6 Oscar nominations, Marriage story- 6 nominations. I just realized she's Susie Salmon from The Lovely Bones.😱 I highly recommend that movie if you haven't seen it, it's fantastic. Its a shame that saoirse and timothée dont dance like them. This was just one thing that maked this version so natural and unique. Anyway. Its just my favourite version of the story and I love it so much. Who wrote Little Women and little man. Little women in la. *JASMINE RIGHT* Jasmine is 100% right! She doesn't need to convince Brianna to invite her family. Jasmine could have said her opinion or advice but she doesn't need to convince her or make her. Brianna's a big girl and when she it hits the fan she will have no friends nor family. My rule on family is it's my family I deal with my family and you say nothing. So there's no issues cuz people love attacking. The significant other.

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For the one who saw the king already, THIS is the proof that timothée is clearly one of the best actor of his generation. see how his voice, body language even his gaze are different from the role of king henry V? that's acting! I'm so proud of him. Little women shoes. Little women laurie and jo. Little women dallas cast. Little women ii jo& 39;s boys. 'Little' Movie English Full Watch Online. Little 1080p Fast Streaming Get free access to watch. Watch Little full movie download in english. Shes so incredibly gorgeous. Catch me over here in the corner sweating 🥵🥵. I believe Christy reported her story to the media to get some attention! Terra and Tanya at the spa acting like they didn't want to be a Briannas wedding which clearly they did.

Little women puffin classics. Little women trailer 2019. Still wondering where emma watson is in all of these cast things. Dam she even insulted his hand 😭 savage Amy. How much does little women la make per episode. How old is Jo in Little Women. Who sell her hairs in the story of little women. Revealing the family dynamics within the cast. Brilliant. ✨. In HD Quality. Little women illustrations. Florence is going to be a star. Mark my words. In this scene I wanted to stand up and cheer and clap in the cinema after Amys speech it was empowering invigorating and just great acting.

Who are the main characters in the book Little Women.

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Little women 2018. How many pages are in little women. Period costume drama.
A remake, adapted from a classic novel of four sisters making their way in a male dominated world. We're able to appreciate each woman for their own very different artistic talents, we're given time to explore each character.
Stars Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, and Timothée Chalamet. But it's Saoirse & Timothee who were both Oscar worthy!
We took our 9 year old granddaughter who only got a little fidgety towards the end due to the lengthy run time (for her at least. This is a classic story that has been retold for a new audience.
Very good - recommended.

This bachelorette party could have been fun if they werent so awkward about Briana they could of put everything to the side and just be positive and just have fun! I mean come on is MEXICO. Little women 1994 trailer. Little Online Now Little Women Source { Look } Watch Free. Little Women First volume of Little Women (1868) Author Louisa May Alcott Country United States Language English Series Little Women Genre Coming of age Bildungsroman Publisher Roberts Brothers Publication date 1868 (1st volume) 1869 (2nd volume) Media type Print Pages 759 Followed by Little Men Little Women is a novel by American author Louisa May Alcott (1832–1888) which was originally published in two volumes in 1868 and 1869. Alcott wrote the book over several months at the request of her publisher. [1] [2] Following the lives of the four March sisters—Meg, Jo, Beth and Amy—the novel details their passage from childhood to womanhood and is loosely based on the lives of the author and her three sisters. [3] [4]: 202 Scholars classify Little Women as an autobiographical or semi-autobiographical novel. [5] [6]: 12 Little Women was an immediate commercial and critical success, with readers demanding to know more about the characters. Alcott quickly completed a second volume (titled Good Wives in the United Kingdom, although this name originated from the publisher and not from Alcott). It was also successful. The two volumes were issued in 1880 as a single novel titled Little Women. [ citation needed] Alcott wrote two sequels to her popular work, both of which also featured the March sisters: Little Men (1871) and Jo's Boys (1886). Little Women differed notably from contemporary writings for children, especially girls. The novel addressed three major themes: "domesticity, work, and true love, all of them interdependent and each necessary to the achievement of its heroine's individual identity. " [7]: 200 Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth, " but also "as a means of escaping that life by women who knew its gender constraints only too well. ” [8]: 34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the " All-American girl " and that her various aspects are embodied in the differing March sisters. [7]: 199 The book has frequently been adapted for stage and screen. Development history [ edit] In 1868, Thomas Niles, the publisher of Louisa May Alcott, recommended that she write a book about girls that would have widespread appeal. [4]: 2 At first she resisted, preferring to publish a collection of her short stories. Niles pressed her to write the girls' book first, and he was aided by her father Amos Bronson Alcott, who also urged her to do so. [4]: 207 Louisa confided to a friend, “I could not write a girl’s story knowing little about any but my own sisters and always preferring boys”, as quoted in Anne Boyd Rioux's Meg Jo Beth Amy, a condensed biographical account of Alcott's life and writing. In May 1868, Alcott wrote in her journal: "Niles, partner of Roberts, asked me to write a girl's book. I said I'd try. " [9]: 36 Alcott set her novel in an imaginary Orchard House modeled on her own residence of the same name, where she wrote the novel. [4]: xiii She later recalled that she did not think she could write a successful book for girls and did not enjoy writing it. [10]: 335- "I plod away, " she wrote in her diary, "although I don't enjoy this sort of things. " [9]: 37 By June, Alcott had sent the first dozen chapters to Niles, and both agreed these were dull. But Niles' niece Lillie Almy read them and said she enjoyed them. [10]: 335–336 The completed manuscript was shown to several girls, who agreed it was "splendid. ” Alcott wrote, "they are the best critics, so I should definitely be satisfied. " [9]: 37 She wrote Little Women "in record time for money, " [7]: 196x2 but the book's immediate success surprised both her and her publisher. [11] Explanation of the novel's title [ edit] According to literary critic Sarah Elbert, when using the term "little women", Alcott was drawing on its Dickensian meaning; it represented the period in a young woman's life where childhood and elder childhood were "overlapping" with young womanhood. Each of the March sister heroines had a harrowing experience that alerted her and the reader that "childhood innocence" was of the past, and that "the inescapable woman problem" was all that remained. [7] [ page needed] Other views suggest that the title was meant to highlight the unfair social inferiority, especially at that time, of women as compared to men, or, alternatively, describe the lives of simple people, "unimportant" in the social sense. [12] Plot summary [ edit] Part one [ edit] Four teenaged sisters and their mother, whom they call Marmee, live in a new neighborhood (loosely based on Concord) in Massachusetts in genteel poverty. Having lost all his money, their father is acting as a pastor in the American Civil War, far from home. The women face their first Christmas without him. Meg and Jo March, the elder two, have to work in order to support the family: Meg teaches a nearby family of four children; Jo assists her aged great-aunt March, a wealthy widow living in a mansion, Plumfield. Beth, too timid for school, is content to stay at home and help with housework; Amy is still at school. Meg is beautiful and traditional, Jo is a tomboy who writes; Beth is a peacemaker and a pianist; Amy is an artist who longs for elegance and fine society. Jo is impulsive and quick to anger. One of her challenges is trying to control her anger, a challenge that her mother experiences. She advises Jo to speak with forethought before leaving to travel to Washington, where her husband has pneumonia. Their neighbor, Mr. Laurence, who is charmed by Beth, gives her a piano. Beth contracts scarlet fever after spending time with a poor family where three children die. Jo tends Beth in her illness. Beth recovers, but never fully. As a precaution, Amy is sent to live with Aunt March, replacing Jo, while Beth is ill and still infectious. Jo has success earning money with her writing. Meg spends two weeks with friends, where there are parties for the girls to dance with boys and improve their social skills. Theodore "Laurie" Laurence, Mr. Laurence's grandson, is invited to one of the dances, as Meg's friends incorrectly think she is in love with him. Meg is more interested in John Brooke, Laurie's young tutor. Brooke goes to Washington to help Mr. March. While with the March parents, Brooke confesses his love for Meg. They are pleased but consider Meg too young to be married. Brooke agrees to wait. He enlists and serves a year or so in the war. After he is wounded, he returns to find work so he can buy a house ready for when he marries Meg. Laurie goes off to college. On Christmas Day, a year after the book's opening, the girls' father returns from the war. Part two [ edit] (Published separately in the United Kingdom as Good Wives) Three years later, Meg and John marry and learn how to live together. When they have twins, Meg is a devoted mother but John begins to feel left out. Laurie graduates from college, having put in effort to do well in his last year with Jo's prompting. Amy goes on a European tour with her aunt. Beth's health is weak and her spirits are down. When trying to uncover the reason for Beth's sadness, Jo realizes that Laurie has fallen in love. At first she believes it's with Beth but soon senses it's with herself. Jo confides in Marmee, telling her that she loves Laurie but she loves him like a brother and that she could not love him in the romantic way. Jo decides she wants a bit of adventure and to put distance between herself and Laurie, hoping he will forget his feelings. She spends six months with a friend of her mother in New York City, serving as governess for her two children. The family runs a boarding house. She takes German lessons with Professor Bhaer, who lives in the house. He has come to America from Berlin to care for the orphaned sons of his sister. For extra money, Jo writes stories without a moral, which disappoints Bhaer. He persuades her to give up poorly written sensational stories as her time in New York comes to an end. When she returns, Laurie proposes marriage and she declines. Laurie travels to Europe with his grandfather to escape his heartbreak. At home, Beth's health has seriously deteriorated. Jo devotes her time to the care of her dying sister. Laurie encounters Amy in Europe, and he slowly falls in love with her as he begins to see her in a new light. She is unimpressed by the aimless, idle and forlorn attitude he has adopted since being rejected by Jo, and inspires him to find his purpose and do something worthwhile with his life. With the news of Beth's death, they meet for consolation and their romance grows. Amy's aunt will not allow Amy to return with just Laurie and his grandfather, so they marry before returning home from Europe. Professor Bhaer goes to the Marches' and stays for two weeks. On his last day, he proposes to Jo. Jo accepts. When Aunt March dies, she leaves Plumfield to Jo. Jo and Bhaer turn the house into a school for boys. They have two sons of their own, and Amy and Laurie have a daughter. At apple-picking time, Marmee celebrates her 60th birthday at Plumfield, with her husband, her three surviving daughters, their husbands, and her five grandchildren. Characters [ edit] Margaret "Meg" March [ edit] Meg, the eldest sister, is 16 when the story starts. She is referred to as a beauty and manages the household when her mother is absent. She is brown-haired and blue-eyed and has particularly beautiful hands. Meg fulfills expectations for women of the time; from the start, she is already a nearly perfect "little woman" in the eyes of the world. [13] Before her marriage to John Brooke, while still living at home, she often lectures her younger sisters to ensure they grow to embody the title of "little women". [14] Meg is employed as a governess for the Kings, a wealthy local family. Because of their father's family's social standing, Meg makes her debut into high society, but is lectured by her friend and neighbor, Theodore "Laurie" Laurence, for behaving like a snob. Meg marries John Brooke, Laurie's tutor. They have twins, Margaret "Daisy" Brooke and John "Demi" Brooke. The sequel, Little Men, mentions a baby daughter, Josephine "Josy" Brooke, [15] who is 14 at the beginning of the final book. [16] Critics have portrayed Meg as lacking in independence, reliant entirely on her husband, and "isolated in her little cottage with two small children". [7]: 204 From this perspective, Meg is seen as the compliant daughter who does not "attain Alcott's ideal womanhood" of equality. According to Sarah Elbert, "democratic domesticity requires maturity, strength, and above all a secure identity that Meg lacks". [7]: 204 Others believe that Alcott does not intend to belittle Meg for her ordinary life, and portrays her in loving detail, suffused in a sentimental light. [17] Josephine "Jo" March [ edit] The principal character, Jo, 15 years old at the beginning of the book, is a strong and willful young woman, struggling to subdue her fiery temper and stubborn personality. [18] [19] The second oldest of four sisters, Josephine March is the boyish one; her father has referred to her as his "son Jo, " and her best friend and neighbor, Theodore "Laurie" Laurence, sometimes calls her "my dear fellow, " while she alone calls him Teddy. Jo has a "hot" temper that often leads her into trouble. With the help of her own misguided sense of humor, her sister Beth, and her mother, she works on controlling it. It has been said that much of Louisa May Alcott shows through in these characteristics of Jo. [20] Jo loves literature, both reading and writing. She composes plays for her sisters to perform and writes short stories. She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters whom she adores. While pursuing a literary career in New York City, she meets Friedrich Bhaer, a German professor. On her return home, Jo rejects Laurie's marriage proposal, confirming her independence. After Beth dies, Professor Bhaer woos Jo at her home, when "They decide to share life's burdens just as they shared the load of bundles on their shopping expedition. " [7]: 210 She is 25 years old when she accepts his proposal. The marriage is deferred until her unexpected inheritance of her Aunt March's home a year later. According to critic Barbara Sicherman, "The crucial first point is that the choice is hers, its quirkiness another sign of her much-prized individuality. " [8]: 21 They have two sons, Robin "Rob" Bhaer and Theodore "Teddy" Bhaer. Jo also writes the first part of Little Women during the second portion of the novel. According to Elbert, "her narration signals a successfully completed adolescence". [7]: 199 Jo is speculated by some to be aromantic, telling Laurie that she will not marry and later expressing that she will not love any man in the way she is expected to by her friends and family. Alcott expressed frustration that so many fans wanted to see Jo wed but ultimately married her off to Bhaer (with Jo reluctantly chasing after him) as, during this time period, women were expected to marry and the book would not have sold well otherwise (as shown in the 2019 movie adaptation with the book only being published once Jo was married). In the 2019 movie adaptation Greta Gerwig makes it clear that Jo was not intended to marry. Elizabeth "Beth" March [ edit] Beth, 13 when the story starts, is described as kind, gentle, sweet, shy, quiet and musical. She is the shyest March sister. [21]: 53 Infused with quiet wisdom, she is the peacemaker of the family and gently scolds her sisters when they argue. [22] As her sisters grow up, they begin to leave home, but Beth has no desire to leave her house or family. She is especially close to Jo: when Beth develops scarlet fever after visiting the Hummels, Jo does most of the nursing and rarely leaves her side. Beth recovers from the acute disease but her health is permanently weakened. As she grows, Beth begins to realize that her time with her loved ones is coming to an end. Finally, the family accepts that Beth will not live much longer. They make a special room for her, filled with all the things she loves best: her kittens, her piano, Father's books, Amy's sketches, and her beloved dolls. She is never idle; she knits and sews things for the children who pass by on their way to and from school. But eventually she puts down her sewing needle, saying it grew "heavy. " Beth's final sickness has a strong effect on her sisters, especially Jo, who resolves to live her life with more consideration and care for everyone. The main loss during Little Women is the death of beloved Beth. Her "self-sacrifice" is ultimately the greatest in the novel. She gives up her life knowing that it has had only private, domestic meaning. " [7]: 206–207 Amy Curtis March [ edit] Amy is the youngest sister and baby of the family, aged 12 when the story begins. Interested in art, she is described as a "regular snow-maiden" with curly golden hair and blue eyes, "pale and slender" and "always carrying herself" like a proper young lady. She is the artist of the family. [23] Often coddled because she is the youngest, Amy can behave in a vain and self-centered way. [24]: 5 She has the middle name Curtis, and is the only March sister to use her full name rather than a diminutive. [25] She is chosen by her aunt to travel in Europe with her, where she grows and makes a decision about the level of her artistic talent and how to direct her adult life. She encounters "Laurie" Laurence and his grandfather during the extended visit. Amy is the least inclined of the sisters to sacrifice and self-denial. She behaves well in good society, at ease with herself. Critic Martha Saxton observes the author was never fully at ease with Amy's moral development and her success in life seemed relatively accidental. [24] However, Amy's morality does appear to develop throughout her adolescence and early adulthood, and she is able to confidently and justly put Laurie in his place when she believes he is wasting his life on pleasurable activities. Ultimately, Amy is shown to work very hard to gain what she wants in life, and to make the most of her success while she has it. Due to her early selfishness (when her friends knew she would not share any pickled lime) and attachment to material things, Amy has been described as the least likable of the four sisters, but she is also the only one who strives to excel at art purely for self-expression, in contrast to Jo, who sometimes writes for financial gain. [26] Additional characters [ edit] Margaret "Marmee" March – The girls' mother and head of household while her husband is away. She engages in charitable works and lovingly guides her girls' morals and their characters. She once confesses to Jo that her temper is as volatile as Jo's, but that she has learned to control it. [27]: 130 Somewhat modeled after the author's own mother, she is the focus around which the girls' lives unfold as they grow. [27]: 2 Robert March – Formerly wealthy, the father is portrayed as having helped a friend who could not repay a debt, resulting in his family's genteel poverty. A scholar and a minister, he serves as a chaplain in the Union Army during the Civil War and is wounded in December 1862. After the war he becomes minister to a small congregation. Professor Friedrich Bhaer – A middle-aged, "philosophically inclined", and penniless German immigrant in New York City who had been a noted professor in Berlin. Also known as Fritz, he initially lives in Mrs. Kirke's boarding house and works as a language master. [21]: 61 He and Jo become friends, and he critiques her writing. He encourages her to become a serious writer instead of writing sensational stories for weekly tabloids. "Bhaer has all the qualities Bronson Alcott lacked: warmth, intimacy, and a tender capacity for expressing his affection—the feminine attributes Alcott admired and hoped men could acquire in a rational, feminist world. " [7]: 210 They eventually marry and raise his two orphaned nephews, Franz and Emil, and their own sons, Rob and Teddy. [28] Robin and Theodore Bhaer ("Rob" and "Teddy") – Jo's and Fritz's sons, introduced in the final pages of the novel, named after the March girls' father and Laurie. John Brooke – During his employment as a tutor to Laurie, he falls in love with Meg. He accompanies Mrs. March to Washington D. C. when her husband is ill with pneumonia. When Laurie leaves for college, Brooke continues his employment with Mr. Laurence as a bookkeeper. When Aunt March overhears Meg rejecting John's declaration of love, she threatens Meg with disinheritance because she suspects that Brooke is only interested in Meg's future prospects. Eventually, Meg admits her feelings to Brooke, they defy Aunt March (who ends up accepting the marriage), and they are engaged. Brooke serves in the Union Army for a year and is sent home as an invalid when he is wounded. Brooke marries Meg a few years later when the war has ended and she has turned twenty. Brooke was modeled after John Bridge Pratt, her sister Anna's husband. [29] Margaret and John Laurence Brooke ("Daisy" and "Demijohn/Demi") – Meg's twin son and daughter. Daisy is named after both Meg and Marmee, while Demi is named for John and the Laurence family. Josephine Brooke ("Josy" or "Josie") – Meg's youngest child, named after Jo. She develops a passion for acting as she grows up. Uncle and Aunt Carrol – Sister and brother-in-law of Mr. They take Amy to Europe with them, where Uncle Carrol frequently tries to be like an English gentleman. Florence "Flo" Carrol – Amy's cousin, daughter of Aunt and Uncle Carrol, and companion in Europe. May and Mrs. Chester – A well-to-do family with whom the Marches are acquainted. May Chester is a girl about Amy's age, who is rich and jealous of Amy's popularity and talent. Miss Crocker – An old and poor spinster who likes to gossip and who has few friends. Mr. Dashwood – Publisher and editor of the Weekly Volcano. Mr. Davis – The schoolteacher at Amy's school. He punishes Amy for bringing pickled limes to school by striking her palm and making her stand on a platform in front of the class. She is withdrawn from the school by her mother. Estelle "Esther" Valnor – A French woman employed as a servant for Aunt March who befriends Amy. The Gardiners – Wealthy friends of Meg's. Daughter Sallie Gardiner later marries Ned Moffat. The Hummels – A poor German family consisting of a widowed mother and six children. Marmee and the girls help them by bringing food, firewood, blankets, and other comforts. They help with minor repairs to their small dwelling. Three of the children die of scarlet fever and Beth contracts the disease while caring for them. The eldest daughter, Lottchen "Lotty" Hummel, later works as a matron at Jo's school at Plumfield The Kings – A wealthy family with four children for whom Meg works as a governess. The Kirkes – Mrs. Kirke is a friend of Mrs. March's who runs a boarding house in New York. She employs Jo as governess to her two daughters, Kitty and Minnie. The Lambs – A well-off family with whom the Marches are acquainted. James Laurence – Laurie's grandfather and a wealthy neighbor of the Marches. Lonely in his mansion, and often at odds with his high-spirited grandson, he finds comfort in becoming a benefactor to the Marches. He protects the March sisters while their parents are away. He was a friend to Mrs. March's father, and admires their charitable works. He develops a special, tender friendship with Beth, who reminds him of his late granddaughter. He gives Beth the girl's piano. Theodore "Laurie" Laurence – A rich young man who lives opposite the Marches, older than Jo but younger than Meg. Laurie is the "boy next door" to the March family and has an overprotective paternal grandfather, Mr. Laurence. After eloping with an Italian pianist, Laurie's father was disowned by his parents. Both Laurie's mother and father died young, so as a boy Laurie was taken in by his grandfather. Preparing to enter Harvard, Laurie is being tutored by John Brooke. He is described as attractive and charming, with black eyes, brown skin, and curly black hair. He later falls in love with Amy and they marry; they have one child, a little girl named after Beth: Elizabeth "Bess" Laurence. Sometimes Jo calls Laurie "Teddy". Though Alcott did not make Laurie as multidimensional as the female characters, she partly based him on Ladislas Wisniewski, a young Polish émigré she had befriended, and Alf Whitman, a friend from Lawrence, Kansas. [4]: 202 [6]: 241 [24]: 287 According to author and professor Jan Susina, the portrayal of Laurie is as "the fortunate outsider", observing Mrs. March and the March sisters. He agrees with Alcott that Laurie is not strongly developed as a character. [30] Elizabeth Laurence ("Bess") – The only daughter of Laurie and Amy, named for Beth. Like her mother, she develops a love for art as she grows up. Aunt Josephine March – Mr. March's aunt, a rich widow. Somewhat temperamental and prone to being judgmental, she disapproves of the family's poverty, their charitable work, and their general disregard for the more superficial aspects of society's ways. Her vociferous disapproval of Meg's impending engagement to the impoverished Mr. Brooke becomes the proverbial "last straw" that actually causes Meg to accept his proposal. She appears to be strict and cold, but deep down, she's really quite soft-hearted. She dies near the end of the first book, and Jo and Friedrich turn her estate into a school for boys. Annie Moffat – A fashionable and wealthy friend of Meg and Sallie Gardiner. Ned Moffat – Annie Moffat's brother, who marries Sallie Gardiner. Hannah Mullet – The March family maid and cook, their only servant. She is of Irish descent and very dear to the family. She is treated more like a member of the family than a servant. Miss Norton – A friendly, well-to-do tenant living in Mrs. Kirke's boarding house. She occasionally invites Jo to accompany her to lectures and concerts. Susie Perkins – A girl at Amy's school. The Scotts – Friends of Meg and John Brooke. John knows Mr. Scott from work. Tina – The young daughter of an employee of Mrs. Kirke. Tina loves Mr. Bhaer and treats him like a father. The Vaughans – English friends of Laurie's who come to visit him. Kate is the oldest of the Vaughan siblings, and prim and proper Grace is the youngest. The middle siblings, Fred and Frank, are twins; Frank is the younger twin. Fred Vaughan – A Harvard friend of Laurie's who, in Europe, courts Amy. Rivalry with the much richer Fred for Amy's love inspires the dissipated Laurie to pull himself together and become more worthy of her. Amy will eventually reject Fred, knowing she does not love him and deciding not to marry out of ambition. [31] Frank Vaughan – Fred's twin brother, mentioned a few times in the novel. When Fred and Amy are both traveling in Europe, Fred leaves because he hears his twin is ill. Inspiration [ edit] The attic at Fruitlands where Alcott lived and acted out plays at 11 years old. Note that the ceiling area is around 4 feet high For her books, Alcott was often inspired by familiar elements. The characters in Little Women are recognizably drawn from family members and friends. [3] [4]: 202 Her married sister Anna was Meg, the family beauty. Lizzie, Alcott's beloved sister who died at the age of twenty-three, was the model for Beth, and May, Alcott's strong-willed sister, was portrayed as Amy, whose pretentious affectations cause her occasional downfalls. [4]: 202 Alcott portrayed herself as Jo. Alcott readily corresponded with readers who addressed her as "Miss March" or "Jo", and she did not correct them. [32] [33]: 31 However, Alcott's portrayal, even if inspired by her family, is an idealized one. For instance, Mr. March is portrayed as a hero of the American Civil War, a gainfully employed chaplain, and, presumably, a source of inspiration to the women of the family. He is absent for most of the novel. [33]: 51 In contrast, Bronson Alcott was very present in his family's household, due in part to his inability to find steady work. While he espoused many of the educational principles touted by the March family, he was loud and dictatorial. His lack of financial independence was a source of humiliation to his wife and daughters. [33]: 51 The March family is portrayed living in genteel penury, but the Alcott family, dependent on an improvident, impractical father, suffered real poverty and occasional hunger. [34] In addition to her own childhood and that of her sisters, scholars who have examined the diaries of Louisa Alcott's mother, Abigail Alcott, have surmised that Little Women was also heavily inspired by Abigail Alcott's own early life. [27]: 6 Publication history [ edit] The first volume of Little Women was published in 1868 by Roberts Brothers. [35] The first printing of 2, 000 copies sold out quickly, and the company had trouble keeping up with demand for additional printings. They announced: "The great literary hit of the season is undoubtedly Miss Alcott's Little Women, the orders for which continue to flow in upon us to such an extent as to make it impossible to answer them with promptness. " [9]: 37 The last line of Chapter 23 in the first volume is "So the curtain falls upon Meg, Jo, Beth, and Amy. Whether it ever rises again, depends upon the reception given the first act of the domestic drama called Little Women. " [36] Alcott delivered the manuscript for the second volume on New Year's Day 1869, just three months after publication of part one. [10]: 345 Versions in the late 20th and 21st centuries combine both portions into one book, under the title Little Women, with the later-written portion marked as Part 2, as this Bantam Classic paperback edition, initially published in 1983 typifies. [37] There are 23 chapters in Part 1 and 47 chapters in the complete book. Each chapter is numbered and has a title as well. Part 2, Chapter 24 opens with "In order that we may start afresh and go to Meg's wedding with free minds, it will be well to begin with a little gossip about the Marches. " [36] Editions published in the 21st century may be the original text unaltered, the original text with illustrations, the original text annotated for the reader (explaining terms of 1868–69 that are less common now), the original text modernized and abridged, or the original text abridged. [38] The British influence, giving Part 2 its own title, Good Wives, has the book still published in two volumes, with Good Wives beginning three years after Little Women ends, especially in the UK and Canada, but also with some US editions. Some editions listed under Little Women appear to include both parts, especially in the audio book versions. [38] Editions are shown in continuous print from many publishers, as hardback, paperback, audio, and e-book versions, from the 1980s to 2015. [38] [39] This split of the two volumes also shows at Goodreads, which refers to the books as the Little Women series, including Little Women, Good Wives, Little Men and Jo's Boys. [40] Reception [ edit] G. K. Chesterton notes that in Little Women, Alcott "anticipated realism by twenty or thirty years", and that Fritz's proposal to Jo, and her acceptance, "is one of the really human things in human literature. " [41] Gregory S. Jackson said that Alcott's use of realism belongs to the American Protestant pedagogical tradition, which includes a range of religious literary traditions with which Alcott was familiar. He has copies in his book of nineteenth-century images of devotional children's guides which provide background for the game of "pilgrims progress" that Alcott uses in her plot of Book One. [42] Little Women was well received upon first publication. According to 21st-century critic Barbara Sicherman there was, during the 19th century, a "scarcity of models for nontraditional womanhood", which led more women to look toward "literature for self-authorization. This is especially true during adolescence. " [8]: 2 Little Women became "the paradigmatic text for young women of the era and one in which family literary culture is prominently featured. " [8]: 3 Adult elements of women's fiction in Little Women included "a change of heart necessary" for the female protagonist to evolve in the story. [7]: 199 In the late 20th century some scholars criticized the novel. Sarah Elbert, for instance, wrote that Little Women was the beginning of "a decline in the radical power of women's fiction", partly because women's fiction was being idealized with a "hearth and home" children's story. [7]: 197 Women's literature historians and juvenile fiction historians have agreed that Little Women was the beginning of this "downward spiral". But Elbert says that Little Women did not "belittle women's fiction" and that Alcott stayed true to her "Romantic birthright". [7]: 198–199 Little Women' s popular audience was responsive to ideas of social change as they were shown "within the familiar construct of domesticity". [7]: 220 While Alcott had been commissioned to "write a story for girls", her primary heroine, Jo March, became a favorite of many different women, including educated women writers through the 20th century. The girl story became a "new publishing category with a domestic focus that paralleled boys' adventure stories". [8]: 3–4 One reason the novel was so popular was that it appealed to different classes of women along with those of different national backgrounds, at a time of high immigration to the United States. Through the March sisters, women could relate and dream where they may not have before. [8]: 3–4 "Both the passion Little Women has engendered in diverse readers and its ability to survive its era and transcend its genre point to a text of unusual permeability. " [8]: 35 At the time, young girls perceived that marriage was their end goal. After the publication of the first volume, many girls wrote to Alcott asking her "who the little women marry". [8]: 21 The unresolved ending added to the popularity of Little Women. Sicherman said that the unsatisfying ending worked to "keep the story alive" as if the reader might find it ended differently upon different readings. [8]: 21 "Alcott particularly battled the conventional marriage plot in writing Little Women. " [43] Alcott did not have Jo accept Laurie's hand in marriage; rather, when she arranged for Jo to marry, she portrayed an unconventional man as her husband. Alcott used Friedrich to "subvert adolescent romantic ideals" because he was much older and seemingly unsuited for Jo. [8]: 21 (Jo is speculated by some to be aromantic, telling Laurie that she will not marry and later expressing that she will not love any man in the way she is expected to by her friends and family. In the 2019 movie adaptation Greta Gerwig makes it clear that Jo was not intended to marry. Other common speculations include that Jo is: - Lesbian - Transgender) () In 2003 Little Women was ranked number 18 in The Big Read, a survey of the British public by the BBC to determine the "Nation's Best-loved Novel" (not children's novel); it is fourth-highest among novels published in the U. S. on that list. [44] Based on a 2007 online poll, the U. National Education Association named it one of "Teachers' Top 100 Books for Children". [45] In 2012 it was ranked number 48 among all-time children's novels in a survey published by School Library Journal, a monthly with primarily US audience. [46] Influence [ edit] Little Women has been one of the most widely read novels, noted by Stern from a 1927 report in the New York Times and cited in Little Women and the Feminist Imagination: Criticism, Controversy, Personal Essays. [47] Ruth MacDonald argued that "Louisa May Alcott stands as one of the great American practitioners of the girls' novel and the family story. " [48] In the 1860s, gendered separation of children's fiction was a newer division in literature. This division signaled a beginning of polarization of gender roles as social constructs "as class stratification increased". [8]: 18 Joy Kasson wrote, "Alcott chronicled the coming of age of young girls, their struggles with issues such as selfishness and generosity, the nature of individual integrity, and, above all, the question of their place in the world around them. " [49] Girls related to the March sisters in Little Women, along with following the lead of their heroines, by assimilating aspects of the story into their own lives. [8]: 22 After reading Little Women, some women felt the need to "acquire new and more public identities", however dependent on other factors such as financial resources. [8]: 55 While Little Women showed regular lives of American middle-class girls, it also "legitimized" their dreams to do something different and allowed them to consider the possibilities. [8]: 36 More young women started writing stories that had adventurous plots and "stories of individual achievement—traditionally coded male—challenged women's socialization into domesticity. " [8]: 55 Little Women also influenced contemporary European immigrants to the United States who wanted to assimilate into middle-class culture. In the pages of Little Women, young and adolescent girls read the normalization of ambitious women. This provided an alternative to the previously normalized gender roles. [8]: 35 Little Women repeatedly reinforced the importance of "individuality" and "female vocation". [8]: 26 Little Women had "continued relevance of its subject" and "its longevity points as well to surprising continuities in gender norms from the 1860s at least through the 1960s. " [8]: 35 Those interested in domestic reform could look to the pages of Little Women to see how a "democratic household" would operate. [7]: 276 While "Alcott never questioned the value of domesticity", she challenged the social constructs that made spinsters obscure and fringe members of society solely because they were not married. [7]: 193 " Little Women indisputably enlarges the myth of American womanhood by insisting that the home and the women's sphere cherish individuality and thus produce young adults who can make their way in the world while preserving a critical distance from its social arrangements. " As with all youth, the March girls had to grow up. These sisters, and in particular Jo, were apprehensive about adulthood because they were afraid that, by conforming to what society wanted, they would lose their special individuality. [7]: 199 Alcott's Jo also made professional writing imaginable for generations of women. Writers as diverse as Maxine Hong Kingston, Margaret Atwood, and J. Rowling have noted the influence of Jo March on their artistic development. Even other fictional portraits of young women aspiring to authorship often reference Jo March. [50] Alcott "made women's rights integral to her stories, and above all to Little Women. " [7]: 193 Alcott's fiction became her "most important feminist contribution"—even considering all the effort Alcott made to help facilitate women's rights. " [7]: 193 She thought that "a democratic household could evolve into a feminist society". In Little Women, she imagined that just such an evolution might begin with Plumfield, a nineteenth century feminist utopia. [7]: 194 Little Women has a timeless resonance which reflects Alcott's grasp of her historical framework in the 1860s. The novel's ideas do not intrude themselves upon the reader because the author is wholly in control of the implications of her imaginative structure. Sexual equality is the salvation of marriage and the family; democratic relationships make happy endings. This is the unifying imaginative frame of Little Women. [7]: 276 Adaptations [ edit] Stage [ edit] Scene from the 1912 Broadway production of Little Women, adapted by Marian de Forest Katharine Cornell became a star in the 1919 London production of de Forest's adaptation of Little Women Marian de Forest adapted Little Women for the Broadway stage in 1912. [51] The 1919 London production made a star of Katharine Cornell, who played the role of Jo. [52] A one-act stage version, written by Gerald P. Murphy in 2009, [53] has been produced in the US, UK, Italy, Australia, Ireland, and Singapore. [ citation needed] Myriad Theatre & Film adapted the novel as a full-length play which was staged in London and Essex in 2011. [54] Marisha Chamberlain [55] [56] and June Lowery [57] have both adapted the novel as a full-length play; the latter play was staged in Luxembourg in 2014. Isabella Russell-Ides created two stage adaptations. Her Little Women featured an appearance by author, Louisa May Alcott. Jo & Louisa features a rousing confrontation between the unhappy character, Jo March, who wants rewrites from her author. [58] [59] A new adaptation by award-winning playwright Kate Hamill had its world premiere in 2018 at the Jungle Theater in Minneapolis, followed by a New York premiere in 2019 at Primary Stages directed by Sarna Lapine. [60] Film [ edit] Little Women has been adapted to film seven times. The first adaptation was a silent film directed by Alexander Butler and released in 1917, which starred Daisy Burrell as Amy, Mary Lincoln as Meg, Ruby Miller as Jo, and Muriel Myers as Beth. It is considered a lost film. Another silent film adaptation was released in 1918 and directed by Harley Knoles. It starred Isabel Lamon as Meg, Dorothy Bernard as Jo, Lillian Hall as Beth, and Florence Flinn as Amy. George Cukor directed the first sound adaptation of Little Women, starring Katharine Hepburn as Jo, Joan Bennett as Amy, Frances Dee as Meg, and Jean Parker as Beth. The film was released in 1933 and followed by an adaptation of Little Men the year after. The first color adaptation starred June Allyson as Jo, Margaret O'Brien as Beth, Elizabeth Taylor as Amy, and Janet Leigh as Meg. Directed by Mervyn LeRoy, it was released in 1949. Gillian Armstrong directed a 1994 adaptation, which starred Winona Ryder as Jo, Trini Alvarado as Meg, Samantha Mathis and Kirsten Dunst as Amy, and Claire Danes as Beth. [61] The film received three Academy Award nominations, including Best Actress for Ryder. A contemporary film adaptation [62] was released in 2018 to mark the 150th anniversary of the novel. [63] It was directed by Clare Niederpruem in her directorial debut and starred Sarah Davenport as Jo, Allie Jennings as Beth, Melanie Stone as Meg, and Elise Jones and Taylor Murphy as Amy. [63] A 2019 adaptation directed by Greta Gerwig starred Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy, and Eliza Scanlen as Beth. [64] Television [ edit] Little Women was adapted into a television musical, in 1958, by composer Richard Adler for CBS. [65] Little Women has been made into a serial four times by the BBC: in 1950 (when it was shown live), in 1958, in 1970, [66] and in 2017. [67] The 3-episode 2017 series development was supported by PBS, and was aired as part of the PBS Masterpiece anthology in 2018. Universal Television produced a two-part miniseries based on the novel, which aired on NBC in 1978. It was followed by a 1979 series. In the 1980s, two anime series were made in Japan, Little Women in 1981 and Tales of Little Women in 1987. Both anime series were dubbed in English and shown on American television. In 2012, Lifetime aired The March Sisters at Christmas (directed by John Simpson), a contemporary television film focusing on the title characters' efforts to save their family home from being sold. [68] It is usually rebroadcast on the channel each holiday season. [69] A 2018 adaption is that of Manor Rama Pictures LLP of Karan Raj Kohli & Viraj Kapur which streams on the ALTBalaji app in India. The web series is called Haq Se. Set in Kashmir, the series is a modern-day Indian adaptation of the book. Musicals and opera [ edit] The novel was adapted to a musical of the same name and debuted on Broadway at the Virginia Theatre on January 23, 2005 and closed on May 22, 2005 after 137 performances. A production was also staged in Sydney, Australia in 2008. [70] The Houston Grand Opera commissioned and performed Little Women in 1998. The opera was aired on television by PBS in 2001 and has been staged by other opera companies since the premiere. [71] There is a Canadian musical version, with book by Nancy Early and music and lyrics by Jim Betts, which has been produced at several regional theatres in Canada. There was another musical version, entitled "Jo", with music by William Dyer and book and lyrics by Don Parks & William Dyer, which was produced off-Broadway at the Orpheum Theatre. It ran for 63 performances from February 12, 1964, to April 5, 1964. It featured Karin Wolfe (Jo), Susan Browning (Meg), Judith McCauley (Beth), April Shawhan (Amy), Don Stewart (Laurie), Joy Hodges (Marmee), Lowell Harris (John Brooke) and Mimi Randolph (Aunt March). Audio drama [ edit] A radio play starring Katharine Hepburn as Jo was made to accompany the 1933 film. Grand Audiobooks hold the current copyright. A dramatized version, produced by Focus on the Family Radio Theatre, [72] was released on September 4, 2012. See also [ edit] Hillside (later renamed The Wayside), the Alcott family home (1845–1848) and real-life setting for some of the book's scenes Orchard House, the Alcott family home (1858–1877) and site where the book was written; adjacent to The Wayside References [ edit] ^ Longest, David (1998). Little Women of Orchard House: A Full-length Play. Dramatic Publishing. p. 115. ISBN   9780871298577. ^ Sparknotes: literature. Spark Educational Publishing. 2004. p. 465. ISBN   9781411400269. ^ a b Alberghene, Janice (1999). Alberghene, Janice M. and Clark, Beverly Lyon (eds. ). Autobiography and the Boundaries of Interpretation on Reading Little Women and the Living is Easy. Little Women and the Feminist Imagination: Criticism, Controversy, Personal Essays. Psychology Press. p. 355. ISBN   9780815320494. CS1 maint: uses editors parameter ( link) ^ a b c d e f g Cheever, Susan (2011). Louisa May Alcott: A Personal Biography. Simon and Schuster. ISBN   978-1416569923. ^ Cullen Sizer, Lyde (2000). The Political Work of Northern Women Writers and the Civil War, 1850–1872. Univ of North Carolina Press. p. 45. ISBN   9780807860984. ^ a b Reisen, Harriet (2010). Louisa May Alcott: The Woman Behind Little Women. Macmillan. ISBN   9780312658878. ^ a b c d e f g h i j k l m n o p q r s t u Elbert, Sarah (1987). A Hunger for Home: Louisa May Alcott's Place in American Culture. New Brunswick: Rutgers University Press. ISBN   0-8135-1199-2. ^ a b c d e f g h i j k l m n o p q r Sicherman, Barbara (2010). Well Read Lives: How Books Inspired A Generation of American Women. Chapel Hill: The University of North Carolina Press. ISBN   978-0-8078-3308-7. ^ a b c d Author Madison, Charles A. (1974). Irving to Irving: Author-Publisher Relations 1800–1974. New York: R. R. Bowker Company. ISBN   0-8352-0772-2. ^ a b c Matteson, John (2007). Eden's Outcasts: The Story of Louisa May Alcott and Her Father. New York: W. W. Norton & Company. ISBN   978-0-393-33359-6. ^ Smith, David E. James, Edward T. (ed. "Notable American Women 1607–1950: A Biographical Dictionary, Volume 1". Notable American Women 1607–1950: A Biographical Dictionary, Volume 1. Harvard University Press: 29. ISBN   9780674627345. ^ Alcott, Louisa May (2010). "Foreword". Little Women. Collins Classics. HarperCollins UK. p. vi. ISBN   9780007382644. ^ Hermeling, Ines (2010). The Image of Society and Women in Louisa May Alcott's "Little Women". GRIN Verlag. p. 8. ISBN   9783640591220. ^ Caspi, Jonathan (2010). Sibling Development: Implications for Mental Health Practitioners. Springer Publishing Company. p. 147. ISBN   9780826117533. ^ Alcott, Louisa May. Little Men. p. Chapter 2. Baby Josy had a flannel petticoat beautifully made by Sister Daisy ^ Alcott, Louisa May. Jo's Boys. p. Chapter 1. ^ "Characters Margaret Meg March Meg the eldest sister is sixteen when the story".. Retrieved 2018-11-07. ^ Alcott, Louisa (August 1, 2013). search of mentions of Jo March. Simon and Schuster. ^ Acocella, Joan (2018-08-20). "How "Little Women" Got Big". ISSN   0028-792X. Retrieved 2019-02-25. ^ "Louisa May Alcott: The Woman Behind Little Women, The Character of Jo March". American Masters. December 12, 2009. Retrieved August 4, 2018. ^ a b Keith, Lois (2001). Take Up Thy Bed and Walk: Death, Disability and Cure in Classic Fiction for Girls. Taylor & Francis. ISBN   9780415937405. ^ Apter, T. E. (2007). The Sister Knot: Why We Fight, why We're Jealous, and why We'll Love Each Other No Matter what. p. 137. ISBN   9780393060584. ^ Alcott, Louisa May (1880). Little Women: or, Meg, Jo, Beth and Amy. Cambridge, Massachusetts: John Wilson and Son. Retrieved 2010-05-31. ^ a b c Saxton, Martha (1977). Louisa May Alcott: A Modern Biography. Macmillan. ^ Alcott, Louisa May (1880). Little Women, or Meg, Jo, Beth and Amy. p. 213. Retrieved May 13, 2015. ^ Hollander, Anne (2000). Feeding the Eye. University of California Press. p. 233. ISBN   0520226593. ^ a b c LaPlante, Eve (2013). Marmee & Louisa: The Untold Story of Louisa May Alcott and Her Mother. ISBN   9781451620672. ^ Masse, Michelle (1999). "Songs to Aging Children: Alcott's March Trilogy". In Alberghene, Janice M. p. 338. CS1 maint: uses editors parameter ( link) ^ Alcott, Louisa (2000). The Portable Louisa May Alcott. Penguin. p. 1854. ISBN   9781101177044. ^ Susina, Jan (1999). "Men and Little Women Notes of a Resisting (Male) Reader". pp. 161–70. CS1 maint: uses editors parameter ( link) ^ Seelinger Trites, Roberta (2009). "Journeys with Little Women". In Betsy Gould Hearne, Roberta Seelinger Trites (eds. A Narrative Compass: Stories that Guide Women's Lives. University of Illinois Press. p. 15. ISBN   0252076117. CS1 maint: uses editors parameter ( link) ^ Sicherman, Barbara (1995). "Reading Little Women: The Many lives of a Text". In Linda K. Kerber, Alice Kessler-Harris, Kathryn Kish Sklar (eds. U. History as Women's History: New Feminist Essays. University of North Carolina Press. p. 253. ISBN   9780807866863. CS1 maint: uses editors parameter ( link) ^ a b c Keyser, Elizabeth Lennox (2000). Little Women: A Family Romance. University of Georgia Press. ISBN   9780820322803. ‘I am Jo, in the principal characteristics, not the good ones. ’ ^ "Alcott: 'Not The Little Woman You Thought She Was ' ". NPR. December 28, 2009. Retrieved August 22, 2013. ^ Cheney, Ednah Dow, ed. (1889). Louisa May Alcott: Her Life, Letters, and Journals. Boston: Applewood Books. p. 190. ISBN   978-1-4290-4460-8. ^ a b Alcott, Louisa May (August 19, 2010) [1868]. "Little Women". ProjectGutenberg. Retrieved April 9, 2015. ^ Alcott, Louisa May (April 1, 1983) [1868]. ISBN   978-0553212754. Retrieved March 27, 2015. ^ a b c Louisa May Alcott. "Little Women" (Part 1 ed. Fantastic Fiction. Retrieved March 27, 2015. ^ Louisa May Alcott. "Good Wives (Little Women) (1869)" (Part 2 ed. "Little Women series". Goodreads. Retrieved March 27, 2015. ^ Chesterton, G. (1953). "Louisa Alcott". A Handful of Authors. ^ Jackson, Gregory S. (2009). The Word and Its Witness: The Spiritualization of American Realism. Chicago: The University of Chicago Press. pp. 125–56. ISBN   978-0-226-39004-8. ^ Boyd, Anne E. (2004). Writing for Immortality: Women Writers and the Emergence of High Literary Culture in America. Baltimore: Johns Hopkins University Press. p. 72. ISBN   0-8018-7875-6. ^ "BBC – The Big Read". BBC. April 2003. Retrieved December 12, 2013. ^ National Education Association (2007). "Teachers' Top 100 Books for Children". Retrieved August 22, 2012. ^ Bird, Elizabeth (July 7, 2012). "Top 100 Chapter Book Poll Results". School Library Journal "A Fuse No. 8 Production" blog. Retrieved August 22, 2012. ^ Alberghese, Janice M. and Clark, Beverly Lyon, eds. (1999). "Little Women Leads Poll: Novel Rated Ahead of Bible for Influence on High School Pupils". p. xliv. CS1 maint: uses editors parameter ( link) ^ MacDonald, Ruth M. (1983). Louisa May Alcott. Boston: Twayne Publishers. p.  95. ^ Alcott, Louisa May; Kasson, Joy S. (1994). "Introduction". Work: A Story of Experience. New York: Penguin Books. p. ix. ISBN   014039091X. ^ Isaac, Megan Lynn (2018). "A Character of One's Own: The Perils of Female Authorship in the Young Adult Novel from Alcott to Birdsall". Children's Literature. 46: 133–168 – via JSTOR. ^ "Little Women". Internet Broadway Database. Retrieved December 28, 2018. ^ Cornell, Katharine (September 1938). "I Wanted to Be an Actress". Stage. New York City: Stage Magazine Company, Inc. p. 13. Retrieved December 28, 2018. ^ Murphy, Gerald P. Lazy Bee Scripts. Retrieved July 27, 2015. ^ Stephens, Connie (Winter 2011). Myriad Theatre & Film, bringing the classics to life. London, UK. Retrieved 14 May 2016. ^ "Little Women". Marisha Chamberlain. Retrieved 6 May 2016. ^ Chamberlain, Marisha. "Little Women (full length)".. Retrieved September 9, 2015. ^ Lowery, June (Fall 2014). "Little Women (Les Quatre Filles du Docteur March)". Berliner Grundtheater Group. Retrieved January 31, 2016. ^ Heimberg, Martha (2019-07-21). "TheaterJones | FIT Review: Jo & Louisa | Festival of Independent Theatres".. Retrieved 2019-09-26. ^ Jul 26; 2019 | 1 (2019-07-26). "Pitching another FIT". Dallas Voice. Retrieved 2019-09-26. ^ "Little Women, 2019 Season". Retrieved 24 October 2019. ^ 1994. "Little Women (1994) by IMDB".. Retrieved 2017-05-09. ^ "Casting Call". Little Women, a modern adaptation. Retrieved February 14, 2017. ^ a b Busch, Anita (April 27, 2017). "Lea Thompson To Star in New Feature Adaptation Of 'Little Women ' ".. Retrieved June 23, 2018. ^ Eldredge, Kristy (27 December 2019). "Opinion | Men Are Dismissing 'Little Women. ' What a Surprise". The New York Times. Retrieved 27 December 2019. ^ Mercer, Charles (September 21, 1958). "Beth Lives in TV musical of "Little Women " ". Chicago Tribune. Retrieved February 23, 2017. ^ Little Women (1970) on IMDb ^ Little Women (2017) on IMDb ^ "The March Sisters at Christmas TV Show". Retrieved April 16, 2016. ^ The March Sisters at Christmas on IMDb ^ Morgan, Clare (November 11, 2008). "Stakes are high for Kookaburra's sister act". The Sydney Morning Herald. Retrieved 3 December 2019. ^ Adamo, Mark (2007). Mark Adamo Online. Retrieved December 3, 2019. ^ "Little Women (Audio Drama) by Focus on the Family Radio Theatre on iTunes". iTunes. Retrieved 2015-11-16. External links [ edit] Little Women at Project Gutenberg Lesson plans for Little Women at Web English Teacher "Top 100 Children's Novels #25". School Library Journal Blog. Retrieved 2012-05-20. 1945 radio adaptation of novel at Theatre Guild on the Air at the Internet Archive Little Women public domain audiobook at LibriVox Rudin, Shai (2019). "The Hidden Feminist Agenda and Corresponding Edification in the Novel Little Women by Louisa May Alcott". Childhood, Vol. 3. pp. 115–132.

Little women dolls. Little women 1994. Ok but I am I the only creeped out by the fact he told a little girl he would kiss her before she died and then actually kissed her later in life. That's gross. Little women greta gerwig. In the book Little Women which sister dies.

I think she would have made a better jo and saorise would have been a wonderful Amy

Alli really said she didnt ask any questions when she was clearly going around asking the girls a bunch of questions involving Briana. Thats fake right there. She's so talented. Just off the cuff does a kiwi accent. Amazing and I'm Australian so I know the difference between the two and it's easy to get it wrong as they are very similar. Nice to see Emma Watson be in a iconic movie like this one, this has some tremendous shoes to fill considering the 1994 one was a critical masterpiece of a movie. Greta Gerwig Saoirse Ronan ve Emma Watson. Muhteşem ve yeni jenerasyonun en yetenekli 3 kadını bir arada. Ve onlara usta Merly Streep yol gösteriyor. En azından Saoirse'ye hakettiği Oscarı verin bu filmle.

Galway giirl. She seems to really love and value her craft and opportunities. I hope she gets more good parts like this one, she deserves it and I think she is working very hard to move beyond being a seen as just a child actor in Harry Potter even though the public will always love her for that, I hope them and Hollywood will keep allowing her to move beyond it. Little gifts for women. Who is the heroine of Little Women. In Little Women which one of the four sisters dies.

Correspondent: Fernando Ramírez Barba

Info: I'm a boy pretending to be a man.


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Download Torrent Ne Zha zhi mo tong jiang shi qi. It's trap right. Download torrent ne zha zhi mo tong jiang shi. Download Torrent Ne Zha zhi mo tong jiang shine. Download Torrent Ne Zha zhi mo tong jiang shi. All the special effects are well done. The storyline is better than most of movies out there. Incredible. Will be better if you have some cultural insight and reference, but great movie. Warframe player be like: WP: So, Nezha is truly a tra- Your access to in-game chat has been suspended. Download torrent ne zha zhi mo tong jiang shiki. I did not originally want to watch this film as I do not like the story it is based on but I am glad I did.
I am a huge fan of myths and legends of different countries and cultures and I liked the old Chinese animations.
4 years ago, they made a Monkey King animation which I loved and finding out that that team helped on the Nezha movie was one of the reasons why I chose to watch it.
The core concept is about fighting fate and against how others see you.
Another point I loved about it is as it is a Chinese movie it is told from a Chinese perspective and from Chinese culture. This is great way for people to learn more Chinese people and culture. The down side is it is different to movies that we are used to and a lot will not be understood if we are not Chinese or know much about Chinese mythology. Also some of the jokes reference Stephen Chow's work.
The English title "I am the destiny" makes sense to Chinese viewers, it is meant to be artistic with deep meanings (I spent a day discussing the title with my wife who is Chinese, she was explaining why she understood this title while it would not have been her first choice. Think of it as "I make my own fate" or if they just chose "Nezha: Fate"
The animation is amazing, the difference between the characters (humans, animals, clouds) and the scenery is marvellous. I wished to look at more of the buildings but that's just me being weird.
The music is great. Very exciting and also a lot using traditional Chinese instruments (one part is a tribute to the Terminator movies with traditional Chinese instruments) also the credits music is a great song they made for the moive with a lot of great lyrics (in Chinese)
The action scenes are beautifully made and flow very well. Also the pacing of the movie is perfect, at no point did I feel they dragged a joke or a scene on for too long.
The story is a retelling so some people may be annoyed that it deviating from the original but Disney does it all the time so leave them alone.
The story is interesting and the changes makes it more relatable.
There are some bugs with the animation but they almost didn't finish in time for the summer holidays so I'm willing to overlook that.
What's more is the director's backstory. He studied medicine in University. His animation background, all self taught. Made a 3d animation by himself and won a lot of awards. The company he works for now collected a lot of animation companies together to make this movie. They risked a lot but this movie is the director's dream which he had been thinking about for years.
This can be seen in his attention to details. One of the charecters has a different accent because of where this character is from. And the director spent a lot of time to find the perfect voice actors for his characters (which I find to be a major failing of the Chinese animation industry in general, some beautiful animations ruined by frustratingly annoying voice actors)
Background information you should know.
The old guy is the most powerful in heaven.
In China, a master takes disciples for training. He is like a parent, teacher and master at the same time. Choosing a master or a disciple is not entered into lightly.
At that time, monster attacks are common and many people have lost family to them.
Might need to find a Chinese friend to help explain other points you may find confusing
I've seen it 7 times and I advice you to watch it on IMAX, looks better.
I hope they get a good subtitles team, a lot of jokes will be hard to translate. I also hope that they don't dub it. The dubbed version of "Hero is Back" the Monkey King animation was terrible and ruined it
Also hope that they will release it in China with the English subtitles so that I have an excuse to watch it again.

Download Torrent Ne Zha zhi mo tong jiang shi ting. Download torrent ne zha zhi mo tong jiang shi trailer. Download Torrent Ne Zha zhi mo tong jiang shit. Download torrent ne zha zhi mo tong jiang shi download. 12 wins & 5 nominations. See more awards  » Videos Learn more More Like This Animation | Action Adventure 1 2 3 4 5 6 7 8 9 10 6. 8 / 10 X The all-powerful Monkey King once roamed freely between Heaven and Earth, but after angering the gods, he was imprisoned within an ice cage deep within the mountains. Five hundred years... See full summary  » Director: Tian Xiao Peng Stars: Lei Zhang, Zijie Lin, Wenlun Wu Documentary Family Music 7. 6 / 10 Four Springs is a documentary film that presented a family's daily life in the remote town of Dushan in the Guizhou province in southwest China. From a subjective angle, the camera induced... See full summary  » Qingyi Lu Bo Huang, Guixian Li, Yunkun Lu 6. 2 / 10 The world's greatest blue sapphire, the "blue lapis fist", said to have sunk in a pirate ship in the late 19th century, on the coasts of Singapore. A local millionaire plots to retrieve it,... See full summary  » Tomoka Nagaoka Yu Asakawa, Kurt Common, Ryan Drees 8. 1 / 10 Da Nao Tian Gong is a Chinese animated feature film directed by Wan Laiming and produced by all four of the Wan brothers. The film was created at the height of the Chinese animation... See full summary  » Wan Laiming Yue-Feng Qiu, Run-Sheng Fu, Hans Alfredson 6. 7 / 10 Nobita saw a moon turned yellow last night and told his class about it but they think it's funny. Doraemon gives him the "History Explorers Club Badge" and discovers there's life on the moon. Until a new student changed him forever. Directors: Jeong-beom Lee, Shinnosuke Yakuwa Wasabi Mizuta, Sang Hyun Uhm, Jung-jae Lee Fantasy - / 10 The film genre fiction is inspired by character fairy-tale NeZha. Zhan Shu Dian Tao Comedy 7 / 10 Three teenagers must help a Yeti return to his family while avoiding a wealthy man and a zoologist who want him for their own needs. Jill Culton, Todd Wilderman Chloe Bennet, Albert Tsai, Tenzing Norgay Trainor Drama 7. 1 / 10 A 16-year-old girl travels to the human world in the form of a dolphin and forms a connection with a human boy. Xuan Liang, Chun Zhang Guanlin Ji, Shangqing Su, Timmy Xu 6. 4 / 10 The flightless birds and scheming green pigs take their feud to the next level. Thurop Van Orman, John Rice Jason Sudeikis, Josh Gad, Leslie Jones 7. 3 / 10 McDull is not the brightest kid on the block, but he continuously tries to do his best to please his mother. Still it seems he may not be destined for great things like she wishes, but McDull strives to try anyway. Toe Yuen Anthony Chau-Sang Wong, Jan Lamb, Sandra Kwan Yue Ng Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies and dark new forces at play. Joachim Rønning Angelina Jolie, Elle Fanning, Harris Dickinson Anna, Elsa, Kristoff, Olaf and Sven leave Arendelle to travel to an ancient, autumn-bound forest of an enchanted land. They set out to find the origin of Elsa's powers in order to save their kingdom. Chris Buck, Jennifer Lee Kristen Bell, Idina Menzel, Josh Gad Edit Storyline The Primus extracts a Mixed Yuan Bead into a spirit bead and a demon bead. The spirit bead can be reincarnated in human to help King Zhou establish a new dynasty, the demon bead will create a devil and harm human. Ne Zha is the one who should be spirit bead hero but he becomes a devil incarnate, because the spirit bead and the demon bead is switched. Plot Summary Add Synopsis Taglines: I am the destiny (Australia/New Zealand/UK/Ireland) See more  » Details Release Date: 26 July 2019 (China) Box Office Opening Weekend USA: $1, 015, 755, 1 September 2019 Cumulative Worldwide Gross: $726, 063, 471 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia The story can be recognized as a rewritten tale based on the 16th-century Chinese novel "Investiture of the Gods" (Fengshen yanyi). This novel tells the stories of Chinese gods from thousands of years before. The novel itself is based on Chinese folk legends. See more ».

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这个真的好看. Download torrent ne zha zhi mo tong jiang shim. Download Torrent Ne Zha zhi mo tong jiang shirts. YouTube. I remember watching the 1979 animated version of Nezha as a kid and loving the hell out of it. Traditionally animated, with beautiful soundtrack and storyline closer to the original legend. It'll be interesting to see how this (very different) adaptation goes.

Thank you bro. I enjoy watching. Download Torrent Ne Zha zhi mo tong jiang ship. It looks like it was made in the late 90's. Not impressive at all. Kung Fu Panda > this crappy looking animated film.

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Download Torrent Ne Zha zhi mo tong jiang shi yun. Download torrent ne zha zhi mo tong jiang shin. I just watched "Nezha" and it was one of my most favorite movies I have seen in the past year. The animation was extremely well made, with only a few frames where an effect was not lined up with the object, but other than that, it was amazing.
The movie was able to invoke emotion within me, which is something that not even "Infinity War" was able to do. Download torrent ne zha zhi mo tong jiang shiro. The story kind a feel like naruto story. Download Torrent Ne Zha zhi mo tong jiang shi wei.


Download Torrent Ne Zha zhi mo tong jiang shi ying. Download Torrent Ne Zha zhi mo tong jiang shi hui. It's so great to see this movie on show in NYC theaters! The story line one the best of its kind. I didn't like the look of Nezha at first glance, but I love it very much after seeing the movie. The story is very touching and completed. Love it and strongly recommended.





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⁽yifyTorrents⁾ The Lodge Download Full
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score 1701 Votes / / USA / review The Lodge is a movie starring Richard Armitage, Riley Keough, and Alicia Silverstone. A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio / Jaeden Martell / Thriller. The second comment that I fesxxjfjd to you in the morning and I am very interested in the morning and I am very interested in the morning phone you in a whole lot of the internet is not a big difference between size you want for Christmas and happy Easter is just a i you in the afternoon and I have a hamster wheel drive and I am only young but it was a few minutes to show or movie and I will take a few days ago to me that you are not allowed because I am very excited when you are funny how much they love it so that we have to use the same to you too and I will be in a few days and then we will have a very special day with Gabi I am very.

The lodge at redmond ridge. The lodge winterfest. The lodge inn. I liked none of them. The lodge at tiburon. Filipinos have their own version of winged humans and a television-fantasy series named MULAWIN. wherein LAWIN means HAWK. MULAWINS is a group of peace-loving group who hid themselves from human civilization. and a group of mutated breakaways known as the evil RAVENAS which were formerly Mulawin themselves who were against humans deforesting their forest homes. The longest yard. The lodge room. This movie was amazing! It was emotional, scary and unsetteling. It had a claustrophobic feeling. It was a slow pace but I never felt bored. The acting was really good. Just everything was right. At the end of the movie you see how psycho people can get.

Lol i remember trying to drive around downtown for work while he was filming this movie... I couldn't get to any of my stops and dispatch had to call some customers and tell them they had to reschedule their cable appointment cause of the street closings for Ryan Reynolds😂😂. The lodge season 1 episode 1. Did this show end bc Im rlly confused. McCall Idaho Family Resort 2019-12-25T15:57:22-07:00 Explore New Frontiers at Shore Lodge, the quintessential McCall Resort. With unrivaled resort amenities, breathtaking scenery, and endless opportunities to explore the great outdoors, you’ll find that here, perched at an elevation of 5, 000 feet, the sky really is the limit. THE LODGE Stake Out Your Sanctuary in the wilds of Western Idaho. Our seventy-seven guest suites mean that once the adventures in the great outdoors are through, you can seek out rest and restoration in your private enclave. Will it be a Fireside Suite? A pet-friendly suite? Or perhaps a ground-level suite that opens onto the shores of Payette Lake? You decide. LODGING Savor the Flavors of the Pacific Northwest with fresh and authentic cuisine. With three distinct restaurants and bars, and an extensive in-room dining menu, you are sure to experience the spirit of McCall through unique and imaginative dining experiences. Casual fare, fine dining, elevated bar bites, whichever path you take will lead to locally-sourced, regional ingredients served up in one of McCall’s most beautiful environments. DINING Delve Into The Cove, for the ultimate wind down. Sink into our heated saltwater immersion pools, indulge in a signature treatment, or take on one of our Daily Excursions. Here, you’ll discover that in tune with nature, and into luxury are not mutually exclusive, but rather the elements of an incredible adventure that you won’t soon forget. THE SPA Capture Every Moment when you book your tickets – and your stay – through one of our premium packages. Entertainment is just steps from your quarters with “stay and play” packages that ensure you’ll experience every beat of our signature events, which take place right here at Shore Lodge. PACKAGES Take in the Sights of Shore Lodge’s signature events. Indulge in fantastic foodie festivities, move to the rhythm of rockin’ mountain concerts, wine and dine with tantalizing wine pairing dinners, or celebrate life’s simple pleasures with weekly dinner & a movie nights in our private, 43-seat state-of-the-art theater. EVENTS Embark on New Adventures that run the gamut from mountain biking and powder-shredding to paddleboarding and sipping wine on the shores of Payette Lake. Shred through Winter. Ski in Spring. Seize the Summer. Frolic in Fall. Which path will you choose? ADVENTURES See Yourself Here amidst the breathtaking beauty of our natural sanctuary. They say a picture is worth a thousand words. From the picturesque expanse of pristine glacial waters that is Payette Lake to the stunning scenery of a mountain-lined horizon, some things you have to see for yourself. GALLERY.

From the directors of goodnight mommy Now we're talking. The ledges huntsville al. The lodge trailer 2019. This was a film that was on my radar from early in the year. I knew that it was doing well at film festivals so it was one that I was waiting to get released. I lucked out when I saw that at the Nightmares Film Festival it was showing for its regional premiere. It was one that I knew I was going to see for sure. The synopsis is a soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday cabin. Just as relations begin to thaw between the trio, some strange and frightening events takes place.
We start with a mother, Laura (Alicia Silverstone) at home with her two children. Her older son is Aidan (Jaeden Martell) and daughter Mia (Lia McHugh. She has a dollhouse which we learn is modeled after the cabin that they go during the winter. Laura calls her ex-husband, Richard (Richard Armitage) to bring the children over. She's making sure that his new girlfriend won't be there.
She was told that Grace (Riley Keough) wouldn't be, but we see a glimpse of her in a window and then Laura sees her sneaking out the back gate. Through some subtle things, we know that Laura wants to get back together with Richard and is devastated to learn that he plays to ask Grace to marry him. This leads to a traumatic event that rocks this family to the core.
Richard tries to get his children to come around to Grace, but they blame her for what happened. Through them snooping, we learn that Grace has a dark past as her father was the head of a cult and she is the only survivor. Richard tries to have her over for Thanksgiving, but the children lose their minds so he rethinks it.
This all leads to his plan for them to go up to the cabin for Christmas. He still has to work so his plan is to take them up, get them acclimated and then go back, forcing the three to work it out in isolation. There's definitely some awkwardness as Laura decorated the place and there's still things that belonged to her there. They do seem to be making progress until one morning, they wake up to everything they brought is now missing.
Now since this is still a film that hasn't been released just yet and still making the rounds, I wanted to give as much a recap without spoiling anything. I will say that this film definitely lived up to the hype for me. It is such a haunting tale that has a feel of something like Hereditary or Midsommar.
There's an interesting family dynamics here. We have children who are living in broken homes after their parents divorced. They want them to get back together, which is exactly what Laura wants as well. Richard has moved on though. Grace is interesting as I feel like she's a little bit awkward due to her past. Being raised in a cult, she has lasting effects from it.
That's what I really want to delve into next is the religious aspect here. The cult Grace was in was religious based. They took it to the extreme. When they get to the cabin, there's a creepy picture of a nun that looks stern as well as a giant cross. Grace is now at the least agnostic due to the trauma. As she descends into madness, her religious history flares up, which I find quite intriguing.
This film also flirts with is what happening supernatural or is it really happening. I really dug this mystery if I'm going to be perfectly honest. The morning they wake up and everything was before they got there freaked me out. Then every time Grace looks at a certain clock that shows the date, it keeps going back to the same one. This is unnerving and makes her start to think they could have died and are in purgatory. Now this is I guess is a bit of spoiler, but there's a journey to figure out the truth.
That takes me to the pacing of this one, which the runtime clocks in at 100 minutes. I heard the saying that 90 minutes and below are free, anything over that you really have to prove to me it needs to be there. I completely think this film needed that extra time. There was a couple times my jaw actually dropped in shock. I was sucked into this film and trying to figure out what happened. There were things I even missed that were shared with me later that made me like this one even more. With that said, I thought it was paced very well and I like how it ended as I'm down for bleak endings.
Moving to the acting of the film, it is definitely on point. Keough was great as the lead here. I love how subdued she plays the character, but as things around her start to break down we see her descend into madness. She's mentally disturbed from her past and with the stress, we see her reverting. It had me hooked to see. Martell and McHugh did really well as the children also. Martell was made famous from the two It movies but I have to say I'm quite impressed with him for his age. Silverstone and Armitage are solid in support here as well.
As for the effects of the film, we really don't need a lot of them as it isn't that type of film. To be honest though, the realism of them being stranded in this cabin felt real. We do get some practical things later on that looked good. If anything though, this film is shot very well and I was impressed by that for sure.
Now with that aside, despite my high expectations, I felt that this one lived up to them. It is such a haunting film of loss and I really like how they incorporate that this could be supernatural or that it could not be. It is done in a way that doesn't feel like a cheat as well, as we see little hints along the way. The pacing works to build tension and I love how everything ended. The acting was great across the board, which can be tough sticking three characters alone for most of the film. There's not a lot in the way of effects, but it doesn't necessarily need them. It is shot well and the soundtrack fit for what was needed as well. Overall I'd say this is a really good movie and it stuck with me after checking out it. I would recommend this to horror and non-horror fans for sure.

The lodgers trailer. 90% of the comments are of warning children to clap a magic trick. Hes out there was good too. This is one of my favs. THE LODGE Horror hat ein neues Zuhause – und es liegt mitten im Wald! Journalist Richard beschließt, die Weihnachtsferien mit seinen beiden Kindern Mia und Aidan sowie seiner neuen Freundin Grace in seiner gemütlichen, verschneiten Waldhütte in den Bergen zu verbringen. Doch seine Kinder sind davon alles andere als begeistert: Sie trauen ihrer „zukünftigen Stiefmutter“ nicht über den Weg – und lassen sie das auch bei jeder Gelegenheit spüren. Als Richard beruflich für ein paar Tage in die Stadt fahren muss und seine Familie alleine in den Bergen zurück lässt, passieren jeden Tag neue, unheimliche Ereignisse, die Mia und Aidan in ihrer... mehr Infos.

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I feel bad for the actor from “IT” he went threw to much. •^•

The lodge at buckberry creek. Thats what im talking about! Less jump-scare sounds and more on plot twists. The ledges golf huntsville.

Comments Percentage Breakdown 90% warning to be grateful 8% not english 2% cool vid

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Me and my brother screamed our heart watching The Autopsy of Jane Doe. My mother scolded us for it. Ha ha once when I was in LA we stayed at 3rd and highland at a days inn and the people in the room next door had a party at 0200 LAPD raided the room lol. Its my fault we drove down from San Fran and arrived late so we saw 3rd and highland and I said to keith Ive heard of this area so we stopped. In the morning I realised it was on lethal weapon. Rough as houses the area lol youre staying in a palace lol have fun loving the vlogs x x. Just imagine arriving home and pulling into a covered parking garage and walking directly to your apartment without worrying about the weather. Once you are inside, you have roommate dinner night in your spacious apartment where you have the perfect space for entertaining – or mingle with friends at a fireside ice cream social in the clubhouse, get fit in our women’s or men’s fitness center, attend a ward meeting right onsite in one of our large gathering areas or have date night at a movie under the stars in one of the courtyards. This is life at The Lodge in Rexburg… the most unique student housing community serving BYU-I. The Lodge is designed to provide the perfect environment to ensure your BYU-I academic experience is a time of learning, shared responsibility, mutual respect, friendships and memories that will last a lifetime.

I'm at school watchin this and I screamed so everyone looked at me. Can u believe that yungblud was in this show? I love the lodge. The lodges at gettysburg. The lodge full movie. The lodge Dove Cameron love. The lodge guys youtube. 8 FEBRUARY - 14 MARCH, 2020 The Lodge is pleased to present Spirit House by Robbie Simon, the artist’s second solo exhibition at The Lodge. The exhibition features selections of work revolving around abstract graphic compositions that are often grounded in bright and unique color palettes that invite the viewer into a highly considered and emotionally resonant world. Simon’s process, which pairs rigor with levity, is grounded in his rich background in graphic design. Spirit House, which includes a constellation of large scale paintings based on computer generated 2-dimensional graphics, eschews one thematic through-line in favor of a more quixotic undefinable mood that’s designed to quietly seduce the beholder. This evocative connective tissue, Simons explains, accounts for the show’s title which was drawn from the miniature shrines found in South East Asia. “I thought it was a really nice metaphor for the work in that the paintings, when they’re effective, hopefully function as kind of temples for someone’s story or emotions. That’s how I’m thinking about the work right now: art that functions as a conduit for someone’s experiences or feelings, just as spirit houses are vessels for spirits to live within. ” Simon’s practice continues to be inspired, first and foremost, by music, and his new work, which includes the release of a 7-color limited edition print, bears the same sense of melody and ephemerality as a brilliantly crafted composition. Layered, optimistic and eminently collectible, Simon’s work pairs timelessness with nostalgia - a combination that feels vital in the current zeitgeist. “My paintings are meant to be evocative, but I purposely avoid anything that’s obvious or pessimistic; they’re intended to be interpretive, symbolic and vague to allow people an opportunity to experience their own message and story, ” says Simon. Robbie Simon (b. 1984) is an artist and designer working in Los Angeles. Simon's career has its most notable origins in the music world where he's worked with artists such as Allah Las, Kevin Morby, Wilco, Bonnie “Prince" Billy, Fleet Foxes, Grizzly Bear, Sharon Van Etten, Tinariwen, Max Richter, Shintaro Sakamoto, Hand Habits, Seun Kuti, Yo La Tango, among many others. His work has crossed over to a wide variety of paths and clients including Coachella, Warby Parker, Facebook, Salvatore Ferragamo, Stussy, Standard Hotel, Vans, Barbican Centre London, and Pitchfork Music to name a few. Simon extends his creative vision as a contributor of Reverberation Radio, mixing and incorporating his own vibe into contemporary music streams. The ongoing interest surrounding the artist is contagious, as he has been interviewed in the pages of Pilgrim Japan, Monster Children, Amadeus Magazine, It’s Nice That, Stussy Japan, What Youth and D’Blanc Day Off. Whether it’s art, music, or design we just cannot get enough of the expressive genius which houses the empire of Robbie Simon.

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